Open Work Studio (flexible days)
Apr
1
to Mar 28

Open Work Studio (flexible days)

What is Open Work Studio?

What is Open Work Studio? It is perfect for people wanting to explore creative outlets and different art mediums without having to mess up their homes or rent a studio for a long-term commitment!

During Open Work Studio, we set up workstations each session. Bring your own supplies. We will provide tables, easels, and lots of space. We also have some limited storage for small materials. We provide a relaxing, encouraging, nonjudgmental space where all ages can be creative. You are welcome to bring food and projects from home to work on. Music and good vibes will be flowing! See you in the studio!

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Figure Group
Jan
4
to Jan 1

Figure Group

Click ‘SIGN UP TODAY!’ to register. Be sure to sign up, so we know you are coming. The form lists 2024 dates. If you decide to cancel, please email hello@studio55martinez.com.

Studio 55 Group Overview

Set up starts at 12:45 and we have the model from 1-4p. We start with 20 minutes of nude gesture poses to warm up. Then we have one long pose at least partially clothed for the remainder of the time, with breaks for the model.

At 4, we usually do a friendly share/critique. We have up to 9 artists in the studio for the sessions.

Please plan to arrive in plenty of time to be set up and ready to start at lp. we ask that

if you aren't able to be there on time, to reschedule for a different date. It's OK if you need to leave early as long as you can pack up and exit quietly, preferably during a break.

You can draw or paint, oils and Gamsol are OK. We also have a clay scuptress.

We hire_professional models. The cost per artist is $35 which includes model tip. If we don't have at least 4 people signed up, the cost goes up slightly. Bring cash or make check out to Studio 55.

Location: Studio 55, it's above the Build Tek store. Beautiful space. Easels and tables are provided. There are also some drawing "horses". Enter through the glass door facing Howe Rd, come up the stairs

55 Howe Rd. Martinez (upstairs)

Street parking (can be challenging) We now have an elevator.

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Drop in Still Life Painting-Come in and exercise your artist prowess! (ongoing 10 am starts May 7, 2024)
Mar
1
to Feb 28

Drop in Still Life Painting-Come in and exercise your artist prowess! (ongoing 10 am starts May 7, 2024)

Every Tuesday

Drop in Still Live Painting

10 am - 2 pm

$30

Paintings by Pam McCauley

Whether an experienced painter or a beginner, come in and enjoy a relaxed time by yourself or with other artists. You can build skills and share secrets—the alchemy of creation. But even in their company, you chart your course.

Let us know if you want to help with setting up a display.

Sign Up Now. You can sign up to 10 classes.

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Louise Victor-Figure Drawing
Mar
9
to Jun 22

Louise Victor-Figure Drawing

Louise Victor

FIGURE WORKSHOP

Saturday, (12pm - 3pm)

Mar 9, Apr 13 (lecture), May 18, Jun 22

Special Price: $100 per class

$35 model fee at class time includes the tip.

Discover the Art of Life Drawing

Throughout these sessions, we will study life drawing in detail to improve your artistic skills. The workshop includes demos, exercises, discussions, group critiques, and individual guidance for artists of all levels. There will be a lecture on composition on April 13th.

Life drawing is a captivating and transformative practice that holds a special place in the world of visual arts. It offers a unique opportunity to study the human form, unravel its complexities, and capture its essence on paper. Whether you are a beginner or an experienced artist, delving into the realm of life drawing can bring about exciting challenges and pleasures that can invigorate your artistic journey.

At Studio 55 Martinez, we believe in the power of life drawing to inspire creativity and enhance artistic skills. Our life drawing sessions provide a supportive and enriching environment for artists of all levels to explore the beauty and intricacies of the human form. With professional models and expert guidance, you'll have the opportunity to hone your observational skills, experiment with different drawing techniques, and unleash your creativity.

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Barry Ebner-MonoPrint
May
15
to Jun 12

Barry Ebner-MonoPrint

Barry Ebner is a printmaker specializing in monoprint and etching. The majority of his work is abstract, embracing texture and markmaking to create visual spaces that echo mapmaking and ways which we define borders. His most recent exhibitions were with Vessel Gallery in Oakland CA and at Taller 99 in Santiago, Chile. He has taught printmaking for years including classes at Kala and internationally.
Along with his printmaking work barry goes to the coast to do plein aire paintings which can be found on instagram at Coastpaintings.

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Angela White-Assemblage
May
19
1:00 PM13:00

Angela White-Assemblage

Angela White-Assemblage

May 19, 2024 1pm-5pm

$140

For problems with registration,

email hello@studio55martinez55.com

Studio 55, 55 Howe Road, Martinez, CA

$20 materials fee paid directly to the instructor

Level: All levels
Age minimum: 18+
Minimum 5 | Maximum 8

Join Angela White in this captivating workshop and embark on a journey into the world of found-object assemblage art. Explore influential artists, learn essential techniques, and create your captivating artworks inspired by themes such as nature, environment, memory, events, social commentary, objects, or abstract non-representational ideas. This workshop is an excellent opportunity to unleash your creativity, expand your artistic horizons, and be a part of the vibrant world of assemblage art.

Suggestions for what to bring to create art personal to you:

1. Materials: Perfect materials for assemblage include buttons, machine parts, wire, toys, game pieces, recycled plastic objects, jewelry, foam board, small boxes, lids, bottle caps, shells and other items from nature, beads, fabric pieces, pottery fragments, patterned paper, recycled materials, or any item that speaks to you.

2. Substrate: Sturdy, hard material such as cardboard/chipboard, recycled cardboard boxes, decorative gift boxes, wooden boxes, and the insides of wooden art cradles. A substrate box will be provided.

3. Toolbox: X-Acto knife, utility knife, cutting mat, sharp scissors, serrated knife, brushes, metal ruler, hammer, small nails, pencils, white tacky glue, hot-melt glue gun, glue sticks, gel medium, acrylic paints, markers, and gesso.

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Exploring Luminosity With Acrylics and Cold Wax
Jun
8
10:00 AM10:00

Exploring Luminosity With Acrylics and Cold Wax

Charlynn Throckmorton

Exploring Luminosity with Acrylics and Cold Wax

June 8/2024 10 am- 3 pm

$275

All supplies will be provided. $20 supply fee.

STUDIO 55 IN MARTINEZ

55 HOWE ROAD

707-361-5920 FOR MORE INFORMATION

If you love the luminosity and overall effects of oil paint and cold wax but are leery of using oil-based mediums and paints, this class is for you!

 I have been painting with oil and cold wax for over six years. I was a member of Jerry McLaughlin and Rebecca Crowell’s Cold Wax Academy for three years and during that time, I learned a bunch about creating with oil and cold wax. Always open to exploring other mediums, though, I was curious about using acrylic paint with wax so I gave it a try and I found that, although the response of the materials is different, I could achieve basically the same effects with acrylic paint and wax as I could with oils. Brilliant!

 This class is designed for both beginners and experienced artists. We will be using various materials to achieve textured layers, luminous effects,  and interesting surfaces. We will spend the morning working on 300# watercolor paper, experimenting with materials, tools, and layering, and then in the afternoon, we will create a painting on a cradled wood panel. The possibilities are limited only by your imagination, so come along and discover this versatile and exciting way of working with acrylic paint! 

.WWW.CHARLYNNTHROCKMORTON.COMT

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Carl Heyward's Push/Practice Workshop - Sunday, June 9, 2024 (12pm - 3pm)
Jun
9
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, June 9, 2024 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, June 9, 2024 (12 pm - 3 pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

Wall 5/17/24

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:

https://www.theantonymmag.com/the-artist-of-the-month-august-2021-carl-heyward/

Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

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Marion Maenner-*Blossoming* 6/15/24 Creative Mandala Journeys
Jun
15
11:00 AM11:00

Marion Maenner-*Blossoming* 6/15/24 Creative Mandala Journeys

Join me for a creative afternoon
At
Studio 55 in Martinez
June 15, 2024
11 pm - 4;30 pm
Take home your beautiful Mandala and the momentum of joy creating it

This class is at capacity. Click ‘Learn More’ for information on classes in April and May 2024

“Your heart is where your inner light resides. It is part of every sacred journey to reconnect with your inner light, step into your divinity, spread the light of love before you, return to the essence of love, and inspire others to do the same.” Molly Friedenfeld

$35 due at class for supplies.

What would you say if you could have an afternoon to reflect and nourish your heart and soul 

I invite You 

to create your own personal Mandala , connect with your creative being, and reveal your energetic beauty. Let's reflect on our personal harvest, our achievements and our light that keeps us going. Let's embrace our strength and our successes 

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Ronna Leon-DARK FIELD MONOTYPES:  June 23, 2024
Jun
23
11:00 AM11:00

Ronna Leon-DARK FIELD MONOTYPES: June 23, 2024

Working with only black or sepia ink, printmakers will learn an art form beloved by Edgar Degas and Paul Gauguin in which an abstract or figurative image is developed out of a dark-covered field of ink. Using rags, fingers, brushes, q-tips, and other simple tools students will carefully remove ink to make beautiful and haunting fine art prints using Studio 55’s professional Takach printing press.

The instructor, Ronna Leon was raised in a family of printers and publishers and has a life long love of paper and ink. She has been a printmaker for over 50 years and always enjoys exploring and sharing new methods and techniques with her students. For the last eleven years she has run the printmaking program for Arts Benicia

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Rescheduled!  MIXING IT UP WITH MIRA & MULTIPLE MEDIA
Jun
24
to Aug 12

Rescheduled! MIXING IT UP WITH MIRA & MULTIPLE MEDIA

MIXING IT UP WITH MIRA

& MULTIPLE MEDIA

Mondays, June 24-August 12,2024

10 am-.1 pm

Register: https://www.studio55martinez.com

For problems with registration, email hello@studio55martinez.com

Address: 55 Howe Road, Martinez      

Eight classes for: $350      

 Travelers,             Mixed Media, Collage,    39”x33”               © Mira M. White

Are you an artist seeking to elevate your work to new heights? Look no further! In my class, we delve into the principles that are essential to any artistic practice, be it figurative, abstract, or landscape. At the core of my teachings lies the paramount significance of opposites in painting. By understanding the interplay of opposites, you can make informed decisions that result in vibrant and captivating artwork. Our class encourages the exploration of various mediums, such as watercolor, acrylics, and collage. Each artist follows their unique path, enriching their creations through the profound grasp of opposite forces. Join me on this artistic journey, where you can freely explore and experiment. Unleash your creativity and witness your art flourish like never before!

Materials List for Mixing It Up With Mira Studio 55

Your collection of :

Acrylic. ( I prefer liquid: Nova is my preference)

Dry media: soft pastels, pastel pencils(option)

Graphite: ( I use a combination of Lyra water based graphite pencils, and Art Graf Graphite tablets called Tailor Chalks). ( Amazon) Compressed Charcoal( soft)

Collage Materials: decorative papers, hand painted papers, newsprint, etc. Brushes: For acrylics : Compressed Charcoal( soft)

Brushes: For acrylics : inexpensive house painting brushes, 3”&6” Smooth foam rollers ( contractors pack), Color Shapers ( from Blick & Amazon)

Additional Materials:

Acrylic Mediums: Both Satin or Matt Gel Mediums and standard Polymer Medium

6 2oz. Travel misters ( Amazon)

3 trigger Sprayers: 1 for rubbing alcohol, 1 for water, 1 for archival fixative ( for dry media) Protective gloves( Nitrile, no powder)

Face Mask ( optional)

Blue Shop Towels

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Cancelled!  PAINTING STUNNING ABSTRACTS WITH MIXED MEDIA & SOFT PASTELS
Apr
20
to Apr 21

Cancelled! PAINTING STUNNING ABSTRACTS WITH MIXED MEDIA & SOFT PASTELS

MIRA M. WHITE

PAINTING STUNNING ABSTRACTS WITH MIXED MEDIA & SOFT PASTELS

April 20-21, 2024

$375

To enroll contact

email hello@studio55martinez55.com

Studio 55, 55 Howe Road, Martinez, CA

Join me for a wonderful opportunity to experiment with multiple water-based media in combination with soft pastels and collage.  We explore the versatility of the soft pastel medium, painting with water & alcohol ( no petroleum-based solvents). We layer with both dry & wet media, possibly incorporating rich texture. Lots of exuberant mark making on several surfaces! Open to continuing artists of all levels & to adventurous beginners wh want to explore the untapped versatility of this stunning combination.

MATERIALS LIST:YOU BRING:

Soft  Chalk Pastels: Your collection of soft chalk pastels, . For this workshopany of the relatively inexpensive sets of chalk pastels ( Koss,  Rembrandt, Alphacolor, Blick) are fine. If you have the richer, highly pigmented brands that i(s also good( Schmincke, Sennelier, or Great American ArtWorks) Just get a set of at least 24 colors  , 

 Papers: Surfaces

  2 sheets  22″x30″140 lb  watercolor paper( can be Strathmore or Arches) that has been prepared with 1 good coat of white gesso on both sides
10 sheets black or lavender 320grit commercial sandpaper  that is 10″x8″( these are for warm up exercises 
Lots of extra paper for collage work( newsprint, sketch paper  , etc

Paints : Your collection of acrylic paints ( preferably fluid),/ colored inks, watercolor paints ( if you use them- tubes, not pan colors)

 Brushes: An assortment of inexpensive hog bristle brushes that can withstand sanded pastel papers,acrylic paint, and painting with rubbing alcohol on a roughened surface.
Contractors pack of smooth foam rollers 3″ or 6# with appropriate handles.

Additional materials:

White Liquitex or Golden Acrylic Gesso 1 pint
Black Liquitex or Golden Acrylic Gesso 1 pint
Liquitex CLEAR  Gesso 1 pint(only this brand)
 Liquitex or Golden Acrylic Gel Medium for gluing collage papers
 70 % isopropyl rubbing alcohol 1 qt.
 Trigger sprayer with variable spray ( 8 oz size) (Amazon)6 20z cosmetic sprayers( misters) Amazon or Bed Bath & Beyond)
 2 “ or wider Masking tape, Bull dog clips , Blending stumps/Q tips

 Surgical/protective gloves/ protective hand creme

 Utility knife
, Scissors
  Drawing board to fit size of paper, ( I use 1/2″ foam core or sturdy cardboard
 Glassine paper for protecting work. and portfolio ( can be homemade & cardboard) for storing work
 INSTRUCTOR BRINGS:


Graphite powder and dry pigments, fixativ
Additional tools and mediums
Extra mark making tools

Mail Order Suppliers:  Dakota Pastels http://www.dakotapastels.com

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Marion Maenner-*Reflections* 4/6/24 Creative Mandala Journeys
Apr
6
12:00 PM12:00

Marion Maenner-*Reflections* 4/6/24 Creative Mandala Journeys

*Reflections*-Marion Maenner 4/6/2024

Join me for a creative afternoon
At
Studio 55 in Martinez
April 6, 2024
12 pm - 4;30 pm
Take home your beautiful Mandala and the momentum of joy creating it

“Your heart is where your inner light resides. It is part of every sacred journey to reconnect with your inner light, step into your divinity, spread the light of love before you, return to the essence of love, and inspire others to do the same.” Molly Friedenfeld

$35 due at class for supplies.

What would you say if you could have an afternoon to reflect and nourish your heart and soul 

I invite You 

to create your own personal Mandala , connect with your creative being, and reveal your energetic beauty. Let's reflect on our personal harvest, our achievements and our light that keeps us going. Let's embrace our strength and our successes 

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Barry Ebner Printmaking-Drypoint Etching
Mar
20
to Apr 24

Barry Ebner Printmaking-Drypoint Etching

Barry Ebner-Drypoint Etching

Wednesdays March 20-April 24, 2024

Six classes for $350

10 am- 1 pm
Studio55,
55 Howe Road, Martinez, CA

Through Barry Ebner’s abstract and architectural monoprints, he invites you to engage with texture, line, memory, and space. With a career-spanning exhibition, collaborative projects, and the creation of unique artist books, Ebner continues to captivate audiences with his thought-provoking and visually stunning creations. His dedication to his craft and ability to evoke emotions make him a true master of the printmaking medium. Ebner's work serves as a reminder of the profound impact art can have on individuals and communities, and its ability to transcend boundaries and connect people on a deeper level.

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Carl Heyward's Push/Practice Workshop - Sunday, March 17, 2024 (12pm - 3pm)
Mar
17
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, March 17, 2024 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, March 17, 2023 (12 pm - 3 pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article)

Wall 12/17/23

Carl Heyward's push/PRACTICE! Workshop - March 17, 2024
For problems with reservations email hello@studio55martinez.com

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:

https://www.theantonymmag.com/the-artist-of-the-month-august-2021-carl-heyward/

Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

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 Mira M. White’s  EXPLORING THE ABSTRACT BEAUTY OF BLACK
Feb
17
to Feb 18

Mira M. White’s EXPLORING THE ABSTRACT BEAUTY OF BLACK

Mira M. White

EXPLORING THE ABSTRACT BEAUTY OF BLACK

(and all the shades of Grey)

February 17-18, 2024       

$375       

For problems with registration,

email hello@studio55martinez.com

Studio 55, 55 Howe Road, Martinez, CA

EXPLORING THE ABSTRACT BEAUTY OF BLACK

This mixed media workshop focuses on the inherent beauty of black as a color. While much of the work veers towards abstraction, it incorporates both drawing &. painting processes; it honors the rich &. varied tonal & textural effecrs achieved with a monochromatic, restrained palette. And it’s so powerful!. We work with a variety of media, including black& white gesso, inks, graphite, soft pastel and, possibly, oil pigment sticks. This exciting, innovative workshop is for continuing artists of all mediums.

MATERIALS LIST: 

DRY MEDIA:

Lyra Water based Graphite crayon (Blick online
Art Graf Water Based Graphite Tablets (Amazon)
Rembrandt black, white, grey soft pastel sticks,
Black, white & grey oil pigment sticks (R&F preferred)(optional)

LIQUID MEDIA:

Gel medium (pint size), and/or Polymer Medium
White and Black Acrylic Gesso 1 quart each
Black Sumi Ink (Yasutomo preferred)
Liquitex Clear Gesso- 1 quart

PAPERS/ SURFACES TO WORK ON: Select your choice.

Drawing paper- 2 large sheets (Lennox 100, Coventry rag)
1 Cradled wood panel and/or, gessoed cardboard
1 sheets Arches hot press 140lb.or 300 lb watercolor paper—
A support board for your work( I use 1/2″ foamcore or heavy cardboard
2 sheets 140 lb Watercolor paper 22”x30”, cut up into 7”x10” pieces for warm ups 

ADDITIONAL SUPPLIES:

Variety of brushes and/or foam rollers
3 Cosmetic spray bottles ( @ Bed, Bath & Beyond) or on Amazon
Variety of purchased or personally designed stencils (optional)
Mark making tools: The following are your choice: Feathers,
Different Brushes
Color Shapers
Sponges
Rags
Scrapers of all kinds

Roll of practice paper for large gestural exercises- kraft or white butcher, at least 30”wide

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Pam McCauley-Create Striking Still Lifes
Feb
6
to Feb 27

Pam McCauley-Create Striking Still Lifes

Pam McCauley-Create Striking Still Lifes

9:30 am - 12:30 pm

 Each Tuesday, February 6 through February 27, 2024

(4 classes)

$250

Create Striking Still Lifes-2/6/24 thru 2/27/24
For problems with reservations email hello@studio55martinez.com

Want to learn to paint oil still lifes that have some zip? These four
sessions will focus on painting appealing compositions with luscious colors.
Each session will feature a beautiful still life for you to paint.

You will need:
A variety of brushes and at least one 1” flat brush Palette knife
Solvent: mineral oil, non-smelling turpentine, etc
Oils: you can mix just about anything with these
  Cadmium yellow
  Permanent rose
  Raw sienna
  Burnt sienna
  Alizarin crimson
  Ultramarine blue
  Viridian green
  Ivory black
  White
Palette
Rags and or paper towels
4 canvases or canvas panels 11x14”, only bring one a week

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Carl Heyward's Push/Practice Workshop - Sunday, December 17, 2023 (12pm - 3pm)
Dec
17
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, December 17, 2023 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, December 17, 2023 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - December 17, 2023
For problems with reservations email hello@studio55martinez.com

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 New classes are planned for June 18, September 10, and December 17, 2023!

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

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Diane Williams-Cold Wax Medium & Oil - The Language of Texture
Oct
21
to Oct 22

Diane Williams-Cold Wax Medium & Oil - The Language of Texture

Cold Wax Medium and Oil - The Language of Texture

Cold wax is a seductive medium that offers sumptous colors and texture. Oil paint is alive with it's own life force, or "chi". Combined with cold wax medium, oils take on a velvety, flat translucency. Cold away, the Language of Texture, is geared for the beginner to intermediate artist wanting to practice technique, and experience working with oil and cold wax. We meet for 2 days, (giving time for the paint to set up between meetings) so that we can continue with the same pieces. Cold wax takes patience. We will not be working with brushes. Instead we add color with scrapers (I like the messemeister silicone bowl scrapers available on Amazon.com). Bring soft brayers, small palette knives, oil paints (at least red, yellow blue, black and white), objects to create texture-such as chains, sticks, stencils, dish scrubbers etc. I will provide cold wax medium, gamsol, tissue paper, wax paper and objects to use for texture.

Cost: $350 for 2 days( including some supplies)
Dates: October 21 & 22
Time: 12 pm - 5 pm pacific time
Where: 55 Howe Rd, Martinez, CA, Studio 55

Appropriate for beginner to intermediate

For problems with reservations email hello@studio55martinez.com

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Arlene Mornick-Introduction to Metal Clay
Oct
15
10:00 AM10:00

Arlene Mornick-Introduction to Metal Clay

Arlene Mornick-Introduction to Metal Clay

One-day class: 10 am to 4 pm.  (students are to bring lunch for ½ hour break)

Fee: $220 This includes materials and the $25 studio fee.

Class is canceled due to limited enrollment. Contact hello@studio55martinez.com if you are interested in a class after the first of the year.

Metal clay is amazing - it starts as clay but fires into pure silver. You can form it with simple tools, even set stones in it, and fire it with a butane cooking torch or small kiln. When fired, the clay-like binders burn off as the pure silver molecules fuse together. 

This class is designed for both beginning students and those seeking to refresh skills and learn new ones. During this in-depth orientation to Metal Clay students will create a pendant and a pair of earrings.. The initial project provides a foundation for learning thickness, rollout, texture, and carving techniques. 

Beyond the basic skills required for this project, more advanced techniques will be taught including fold-forming moistened clay, setting small cabochons, drying, firing with torch and kiln, final finishing and polishing, and repairs before and after firing.

Students will learn to fire their projects with a butane torch – safe to do at home and if preferable a kiln.  Safety precautions and setup will be reviewed.  After firing manual polishing and finishing will be taught. 

Techniques taught:

·         how to choose and condition metal clay

·         basic metal clay fabrication techniques

·         setting and firing stones in metal clay

·         torch firing metal clay

·         Kiln firing metal clay

·         Texture, fold forming, and carving techniques

·         Repairs and troubleshooting

·         Polishing after firing

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Sefla Joseph's "Exploring Abstract Figurative Work with Mixed Media"
Oct
7
to Oct 28

Sefla Joseph's "Exploring Abstract Figurative Work with Mixed Media"

Sefla Joseph's "Exploring Abstract Figurative Work with Mixed Media"

We will gather on Zoom for four Saturdays in October, the 7th, 14th, 21st, and 28th, from 11 am - 1 pm Pacific time. Zoom link will be sent prior to the first gathering.

Sefla Joseph - Oct 7th, 14th, 21st, and 28th, 2023

For problems with reservations email hello@studio55martinez.com

We will focus on "Works on Paper" for the first two sessions, using charcoal, chalk, ink, and pastels. The last two sessions will shift the focus to working with acrylic paint and mixed media, working on canvas. Those who wish to continue working on paper may of course do so as well. This workshop is structured for beginners and continuing painters at any level.

 

Materials list:

Materials List for Sefla Joseph’s
Exploring Abstract Figurative Work with Mixed Media

For the “Works on Paper” focus:

Newsprint pad for warmups, 14” X 17” or bigger
A pad of 18” X 24” Strathmore 400 or 500 Series Charcoal/Pastel paper

be sure it includes some Gray-toned paper and some White paper

Pencil
Compressed charcoal (big pieces!)
Vine charcoal
Charcoal pencil
White pastel or white chalk
A few other pastel colors of your choice Kneaded eraser
Blending stump (for charcoal)thank

(and any other color inks of your choice)

a twig to use as an inking tool

For the “Acrylic Painting” focus:

Acrylic Paints: Titanium White, Titanium Buff, Ivory or Mars Black, Cadmium Yellow, Yellow Ochre, Cadmium Orange, Cadmium Red, Ultramarine Blue, Burnt Sienna, Burnt Umber, Neutral Gray, and one small Golden Fluid Acrylic (any color)

Brushes: hog bristle brushes are inexpensive
Whatever brushes you may have will be fine; be sure to also have

1 inch flat synthetic brush
One or two inexpensive wide house-painting brushes, 11⁄2 to 2 inches wide,

from a hardware store
Canvases: two 16” X 20” and one 24” X 30” or any other larger size Other Supplies:

palette knives, at least two sizes
a palette: anything you'd like to use as a large palette a spray bottle for water and a plastic container for water paper towels & a few clean rags
latex gloves
a note pad & pen & pencil

Looking forward to working with you and exploring figurative work with mixed media...

sefla@seflajoseph.com https://www.seflajoseph.com 831-295-3922 cell 

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Mira M. White: Mira's Mixed Media Mash Up!
Sep
18
to Nov 6

Mira M. White: Mira's Mixed Media Mash Up!

Mira M. White: Mira's Mixed Media Mash Up!
September 18-November 6, 2023

(8 weeks)

Mondays 10am - 1pm

Mira M. White: Mira's Mixed Media Mash Up!
For problems with reservations email hello@studio55martinez.com

Spring into Summer

MIRA’S MIXED MEDIA MASH UP!

This vibrant class explores abstraction and representation with multiple layers and multiple media techniques. Acrylic, watercolor,  Oil, cold wax, pigment sticks and collage converse on a variety of surfaces, emphasizing unity of design, texture and color.  We  work with a combination of both dry & wet media, including soft pastels, watercolor, oil paint, pigment sticks, charcoal, graphite and collage.  Acrylic media can serve as a base underpainting.  All imagery applicable.  Appropriate for continuing painters, who work toward developing a strong personal vocabulary.  The class will meet weekly from 10 am-1 pm for discussion, live demos, an opportunity to work in class and presentation of work. It is my hope that participants can exchange ideas and form a lively exchange.  

This is an in-person workshop. Due to the pandemic, enrollment will be limited to 10 participants, wearing masks, and honoring social distancing. Mira has also requested that all participants be vaccinated in order to register.

Mira’s Mixed media 2023 (Studio 55)

 MATERIALS LIST                                                              Mira M. White

This class involves creating artworks from a variety of materials. Artists acquire a great many supplies in their experiments with form and color. You will already have many of these materials.

 Please note that the list below is a general reference list for your perusal.

 Many items are optional and will be approached with ample demonstrations and discussion.

DRY MEDIA:

Water based Graphite pencils- by Lyra

Soft Chalk pastels – Rembrandt Black definitely

Oil pastels ( optional)/ Pigment Sticks (. Optional)

Powdered Charcoal  and Graphite powder( Weber brand) (optional)

PAPERS/ SURFACES TO WORK ON:

3 sheets Arches 22”x30” cold press watercolor paper

Canvases, , wood panels, gessoed cardboard- the bigger the better ( nothing smaller than 18’x24” please)

1 pad Strathmore watercolor paper for studies

BRUSHES / ASSORTED MARK MAKING TOOLS

Disposable chip brushes

Smooth, dense foam rollers and handles ( I buy contractor packs)

Assorted inexpensive brushes ( not for watercolor)

Silicon Wedges ( Discussed in the first class)

PAINTS:

Acrylics: Your collection of Acrylics Brands: Golden ( liquid or tube) or Nova (purchase online from Nova

Try to get liquid acrylics instead of tube – easier to manipulate

MEDIUMS:

,Modeling paste, Satin or Gloss  Gel medium ( pint size),  Polymer Medium ( if using acrylics)

White Gesso/ Black Gesso 1pint each at least

Clear gesso by Liquitex 1 pint at least

ADDITIONAL MATERIALS:

Mask and gloves, handi-wipes or purell

1 qt 70% isopropyl rubbing alchohol

Trigger sprayer with variable nozzle ( 8 oz preferred)

Drawing board   to fit your larger paper/ clips to hold paper

Hand pencil sharpener-/ 220 sand paper for sharpening/ Walsco Utility Knife

Nitrile or latex gloves and Mask- throwaway or re-usable

Scissors , Erasers- kneaded and hard plastic

Masking tape or artists drafting tape- 2 inch

Paint palette ( roll of wax paper & cookie sheet will do nicely)

 Cheap hardware store- chinese bristle brushes 1” 2 “ & / 3 “

An assortment of papers for collage

Variety of brushes and/or foam rollers
3 Cosmetic spray bottles Amazon)

Variety of purchased or personally designed stencils (optional)
Mark making tools: The following are your choice: Feathers,
Different Brushes
Color Shapers
Sponges
Rags/ also bring large plastic tarp for floor work
Scrapers of all kinds Wear crummy clothes

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Patsy Taylor's Drawing class at Studio 55
Sep
15
to Nov 17

Patsy Taylor's Drawing class at Studio 55

Patsy Taylor’s Drawing Class at Studio 55

Thursday mornings 9:30 am -12:30 pm

September 15, 2023-

November 17, 2023

Patsy Taylor is an artist living and working in the San Francisco Bay Area.  She has a Masters degree in Fine Arts from the Academy of Art University in San Francisco and has dedicated over twelve years to painting both plein air and in her studio while teaching in public schools, community programs, and privately.  Ms. Taylor was raised in the Pasadena hills in Southern California, where she spent her youth developing a love for the outdoors and an appreciation for nature’s beauty.  Her work can be found in private, local, and international collections.  She also exhibits locally in the San Francisco Bay Area and throughout Northern California.

View Patsy Taylor’s website

If you're interested in taking a drawing class by Patsy Taylor at Studio 55 Martinez, contact Studio 55 directly at Hello@studio55martinez.com. We will provide you with the most up-to-date information about all classes, including any offerings by Patsy Taylor.

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Carl Heyward's Push/Practice Workshop - Sunday, September 10, 2023
Sep
10
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, September 10, 2023

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, September 10, 2023 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - September 10, 2023
For problems with reservations email hello@studio55martinez.com

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 New classes are planned for June 18, September 10, and December 17, 2023!

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

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Louise Victor-Figure Drawing
Aug
26
to Dec 9

Louise Victor-Figure Drawing

Louise Victor

FIGURE WORKSHOP

Saturday, (12pm - 3pm)

August 26, September 23, October 28, November 18, December 9, 2023

Let’s explore the cornerstone of the visual arts together. Life drawing brings exciting challenges and pleasures. This inspiring workshop consists of demonstrations, exercises, discussion, group critiques, and individual guidance. We will study the external and internal forces acting on the model’s poses while studying the different qualities of lines and the organization of forms. Over the course of the five sessions, we will also be exploring the use of color in our drawings.

Those new to life drawing will discover the joy that comes from describing life while forming a firm foundation on which to continue. More seasoned artists will find their art practice invigorated whether working in abstraction or object-oriented art. Together we will experience an exciting adventure into the thousand-year-old practice of describing ourselves.

Born in Chicago, Louise Victor received her Bachelor’s Degree from Northern Illinois University in 1973 and her Master’s Degree in Fine Arts from the University of Minnesota, Minneapolis, in 1977. Admirers of her artwork may be astonished to learn that she spent much of her early professional life as a commercial airline pilot. In fact, she was only the second woman in the world to qualify as “Captain” of Boeing 757/767 aircraft. Despite her demanding responsibilities, she managed to develop into an accomplished painter, draughtswoman, printmaker, bookmaker, and curator of art exhibitions. The drama and power of her dynamic artwork clearly reflect her mastery of flight—both in the air and of the spirit.

Cost: $100 for each day ($350 for all 5 dates)

+$35 model fee due upon attendance @ session which includes the tip.
Dates: August 26, September 23, October 28, November 18, December 9, 2023
Time: 12 pm - 4 pm Pacific time
Where: Studio 55
55 Howe Road, Martinez CA

To make reservations email hello@studio55martinez.com

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CAA  Pop-Up
Aug
13
11:00 AM11:00

CAA Pop-Up

2 Big Events in August!
This August will bring something new and exciting for CAA members and Studio 55 studio holders! On Saturday, August 12, the CAA quarterly meeting will be held at Studio 55 Martinez.  The meeting offers CAA members a Mini Art Show, an art-making opportunity, and a Meet and Greet party! (Regrettably canceled due to lack of elevator.)

Then, as if that weren’t enough, Studio 55 is offering a Pop-up Sale for CAA members and Studio 55 studio holders on the very next day, Sunday, August 13, from 11am to 4pm! As a studio 55 participant or CAA member, you can start gathering and making your pieces right now so that you, too, can be part of this amazing event! Watch this space and email for more information.

For problems with reservations email hello@studio55martinez.com

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Carl Heyward's Push/Practice Workshop - Sunday, June 18, 2023 (12pm - 3pm)
Jun
18
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, June 18, 2023 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, June 18, 2023 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - June 18, 2023
For problems with reservations email hello@studio55martinez.com

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 New classes are planned for June 18, September 10, and December 17, 2023!

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

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Join us for Cold Wax 101 with Diane Williams
Apr
28
to Apr 30

Join us for Cold Wax 101 with Diane Williams

Join us for Cold Wax 101 with Diane Williams

Cold wax is a seductive medium that offers sumptuous colors and texture. Oil paint is alive with its own life force, or "chi". Combined with cold wax medium, oils take on a velvety, flat translucency. Cold wax 101 is geared toward the beginner wanting an introduction to the medium, and the experience of working with oil and cold wax. We meet for 3 days, (giving time for the paint to set up between meetings) so that we can continue with the same pieces. Cold wax takes patience. 

 We will not be working with brushes. Instead, we add color with scrapers (I like the messemeister silicone bowel scrapers available on Amazon.com). Feel free to bring objects to create texture-such as chains, sticks, stencils, dish scrubbers, etc. I will provide cold wax medium, gamsol, tissue paper, wax paper and objects to use for texture.

Times: 11:00 am - 2:00 pm

Dates: April 28, 29 & 30

Where: Studio 55

55 Howe Road, Martinez CA

Cost: $350

Materials list

Oil Paint.
 oil paints such as Gamblin, Utrecht, Blick or Windsor Newton. A good online source for supplies is www.jerrysartarama.com,  or www.dickblick.com. Student grade paints have a lighter pigment load and produce a less intense color.


Choose a variety of colors including warm and cool tones as well as opaque and translucent colors.
Quinacridone colors tend to be more translucent while cadmiums are opaque.
Manufacturers generally provide a color guide to help determine the opacity of colors.
Be sure to include the primary colors of red, yellow and blue, plus black and white.
Note that zinc white is more transparent and better for creating veils of color, while titanium whites are opaque for covering or blocking areas 

Panels or Multimedia boards
Please bring 2-4  surfaces with suggested size no larger than 18" x 18" each.
Multimedia Boards
 If you are traveling, multimedia boards are lightweight and store easily in your suitcase. They may be ordered on line. http://multimediaartboard.com
P.O. Box 836, Buford, GA 

Palette
You may use large paper plates, wax paper and tape or commerical palette pads.
Paper towels.
Palette knives ( smaller pallette knives-1/4 "with rounded or square edge)and rubber scrappers.

Baby wipes for cleaning

Brayers (soft preferred)

And messemeyster silacone cowel scrappers available at Amazon.com

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Sefla Joseph’s “Abstract Figurative Painting”
Apr
1
to Apr 22

Sefla Joseph’s “Abstract Figurative Painting”

Sefla Joseph - April 1, 8, 15, 22, 2023

Materials list for acrylic painters for Sefla Joseph’s Approach to Abstract Figurative Painting

Acrylic Paints:

  • Titanium White, Titanium Buff, Ivory or Mars Black, Cadmium

  • Yellow, Yellow Ochre, Cadmium Orange, Cadmium Red, Ultramarine Blue,

  • Burnt Sienna, Burnt Umber, Neutral Gray

Brushes:

  • hog bristle brushes are inexpensive

  • Whatever brushes you may have will be fine;

  • be sure also to have 1-inch flat synthetic brush

  • One or two inexpensive wide house-painting brushes,

    • 1½ to 2 inches wide, from a hardware store

Newsprint pad for warmups, 14” X 17” or bigger

Canvases: three 16” X 20” and one 24” X 30” or any other larger size

Other Supplies:

  • palette knives, at least two sizes

  • a palette: anything you'd like to use as a large palette

  • drawing tools: charcoal sticks, different sizes

  • box of white chalk

  • Caran D’Ache water soluble wax pastels,

  • 10 Neocolor II set

  • Black ink (optional: Walnut ink or other color inks)

  • a twig to use as an inking tool / any other inking tool

  • a spray bottle for water and a plastic container for water

  • paper towels & a few clean rags

  • latex gloves

  • a note pad & pen & pencil

  • Collect figurative images

Looking forward to painting with you and exploring new approaches to intuitive figure painting

  • sefla@seflajoseph.com

  • https://www.seflajoseph.com

  • 831-295-3922 cell

View Event →
Carl Heyward's Push/Practice Workshop - Sunday, March 26, 2023 (12pm - 3pm)
Mar
26
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, March 26, 2023 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, March 26, 2023 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - March 26, 2023

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 New classes are planned for June 18, September 10, and December 17, 2023!

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

View Event →
Colleen's Cold Wax and Alcohol Inks Workshop
Feb
12
10:00 AM10:00

Colleen's Cold Wax and Alcohol Inks Workshop

Colleen Gianatiempo: Introducing the newest found dynamic duo~cold wax and alcohol inks

Sunday, February 12, 2023

10 am-1 pm

Price Includes all materials

$100

Cold Wax and Ink

Yes, cold wax is not just for oil painters!  Get an overview of essential materials, substrates, and finishes. Explore techniques for applying alcohol inks, such as pouring, creating texture, lifting, masking, and more. You will learn how to make beautiful wax using inks, pastels, and additives.  Wax and inks create amazing textures and layers and bring an element of the unexpected to the painting process which is ideal for artists yearning to work more abstractly and intuitively.  Join me for this fun and one-of-a-kind workshop built from years of experimentation!

Colleen Gianatiempo is a mixed media artist, educator, and designer living and working in her new location in St. George, Utah (formerly the Bay Area). Colleen also teaches at Utah Tech University (St. George) in the College of the Arts.

 

Colleen’s journey as an artist began when she was 3 years old. She remembers cutting up family photos and drawing on walls with lipstick.  She learned early on that it’s possible to express the world around her in different ways and this is where Colleen’s passion began.

 

 

Colleen approaches life the same way she paints, by embracing the mystery, staying open to change, finding courage, honoring her intuition and trusting the journey.  This mindset has enabled her colorful, layered, contemporary, and distinctive style to emerge. Nature is her main influence as she always marvels about the design and beauty it beholds.  She works in many mediums and thrives most when she can experiment and discover new techniques. Colleen has been told that she is the Mary Poppins of art supplies!

In 2017, Colleen earned an MFA in Non-Figurative abstract painting from the Academy of Art in San Francisco.  As her formal art career developed, she has been privileged to be selected for several heart-themed public art projects including Hearts of San Francisco, The Heart of Sonoma, The American Backyard (city of Dublin, CA), Sea Lions of San Francisco, and Small Town with A Big Heart Mural in Martinez. This has given her the reputation as “the Artist with a Heart”. 

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Sefla Joseph’s “Works on Paper”
Feb
4
to Feb 25

Sefla Joseph’s “Works on Paper”

Sefla Joseph - Feb 4, 11, 18, 25, 2023

Sefla Joseph is a Canadian artist, originally from Montreal. She lives in Santa Cruz County, California, where she has been teaching abstract figurative acrylic painting and expressive charcoal and chalk work. Sefla has taught for over twenty years and works with all levels of painters. She has a unique approach to coaching and critique that motivates and inspires her students, whether "newbies" or accomplished painters.

Materials List for Sefla Joseph’s “Works on Paper”

  1. Newsprint pad for warmups, 14” X 17” or bigger

  2. A pad of 18” X 24” Strathmore 400 or 500 Series Charcoal/Pastel paper

  3. be sure it includes some Gray-toned paper and some White paper

  4. 4 sheets of watercolor paper, any size

  5. White gesso

  6. Black and white acrylic paint

  7. A small palette

  8. Paintbrush

  9. Pencil

  10. Compressed charcoal (big pieces!)

  11. Vine charcoal

  12. Charcoal pencil

  13. White pastel or white chalk

  14. A few other pastel colors of your choice

  15. Kneaded eraser

  16. Blending stump (for charcoal)

  17. Black ink, Walnut ink

  18. (and any other color inks of your choice)

  19. a twig to use as an inking tool

  20. a container with water

  21. paper towels

  22. latex gloves

  23. a note pad & pen & pencil

    Looking forward to working with you and exploring works on paper…

    sefla@seflajoseph.com

    https://www.seflajoseph.com

    831-295-3922 cell

View Event →
Carl Heyward's Push/Practice Workshop - Sunday, Dec 18 2022 (12pm - 3pm)
Dec
18
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, Dec 18 2022 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday,December 18, 2022 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - Dec 18, 2022

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

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Pat Calabro -Nov 12, 2022/Sat 12:30pm-3:30pm via Zoom
Nov
12
12:30 PM12:30

Pat Calabro -Nov 12, 2022/Sat 12:30pm-3:30pm via Zoom

PAT CALABRO PROCREATE DIGITAL Zoom WORKSHOP

Saturday, November 12

12:30PM - 3:30PM

If you are an iPad user aspiring to learn to create digital art with Procreate, then this is the right course for you. It will introduce to you the basics of working with Procreate on iPad, step-by-step.  With the help of this course, you will explore the tools in Procreate. You will understand what the various file types mean, master Procreate tools, learn to add colors to your drawings, and familiarize with an action menu.  By the end of the course, you will be able to create drawings and paintings using Procreate’s powerful art tools.

I am an abstract painter who uses Procreate to make work that is satisfying and fun. Representational Artists can also use Procreate as a development tool or a primary substrate.  Consider Plein Air without all the mess.  We need to bring ourselves into the wi-fi world even more these days.  Covid-19 has prompted so many of us to go 'Virtual' and promote our work using Facebook, Instagram, email and other tools.  Creating work on the IPad is ideal for this. The first step is creating the work, and I use a software program on my IPad called Procreate to create my work.

Level: All levels
Location: Studio 55
Class size: Maximum 6
Age minimum: 18

Pat Calabro: Beginning Procreaate - Zoom

Here’s what you will need:

Optional: Screen protector

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Mira M. White:  WATERCOLOR INTENSIVE: WORKING LARGE-reduced pricing
Nov
5
to Nov 6

Mira M. White: WATERCOLOR INTENSIVE: WORKING LARGE-reduced pricing

Mira M. White:11/4-11/6 ABSTRACT WATERMEDIA: LARGE FORMAT

November 5-6, 2022

A wonderful opportunity to experiment with watercolor in a variety of experimental ways on a large scale. Historically we associate watercolor with small-scale works on paper. In this workshop, our efforts will be magnified, very physical, and exciting. We will be working wet & dry. Open to continuing artists who love the adventure of the way of watercolor, and those who want to explore and expand their personal vision and celebrate the versatility of this vibrant medium!

Sat-Sun. 10 am-4 pm
Studio 55, 55 Howe Road, Martinez, CA
Pre-Register: www.studio55martinez.com
Tuition: $250

Masks and gloves and social distancing are important components of this workshop. Enrollment is limited to 8.

Studio 55, 55 Howe Road             925 937-6422.
Martinez, Ca 94553

MATERIALS LIST:

YOU BRING:

 Paints:

Tube watercolors: I primarily use Daniel Smith, some Winsor Newton, Holbein, and Graham
Suggested colors: Cadmium Yellow Hue, both medium & Deep, Quinacridone Gold,
                               Cadmum Orange Hue,Quinacridone Sienna, Quinacridone Coral,  Cadmium Scaret Hue, Pyrrol Red   
                               Quinacridone Rose, Quinacridone Magenta, Carbazole Violet
                                French Ultramarine Blue, Indanthrone Blue, Pthalo Blue
                                Pthalo Green Yellow Shade (PG 36), Perylene Green
                                Payne's Grey, Lunar Black

( This is just my collection- feel free to eliminate or add your own choices)
                                                          

PAPERS:

5 sheets 30"x40" 140 lb or 300 lb watercolor paper.
If possible, a roll of 44"x10 yd D'Arches cold press or hot press watercolor paper, or Strathmore, which is considerably cheaper, and is also 42"x10 yards. (eBay)The process of flattening the paper is a bit arduous but well worth the effort. 

BRUSHES:
Your collection of both rounds and flats, making sure you have some really big round mop brushes 
7" Hake goat hair brush (wide flats made by Mandalay: get at Jerry's Artarama online

SUPPORT BOARDS:

Boards need to fit the size of paper:1/2" foam core about 30"x40" because it is light.  If you prefer, plywood will work fine.
I have sealed large sheets of both cardboard and 1/2" foam core on both sides with clear packing tape. They make perfectly adequate support boards.
2 large sheets of old plexiglass 30"x40"(the plexiglass can be thin sheets) (if possible) (If you can- optional)

ADDITIONAL MATERIALS:

Covered Palette,
smaller plastic dishes for mixing and pouring
6 small travel-size spray misters (www.harmonfacevalues.com) 
Larger spray bottle for water( Amazon)
White metal mixing tray 2 “or wider Masking tape, Bulldog clips, Blending stumps/Q tips

Portfolio (can be homemade & cardboard) for storing work
Extra mark-making tools: scrapers, silicone wedges
Roll of paper towels
Rags ( to use as brushes)

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Carl Heyward's Push/Practice Workshop - Sunday, Sept 25, 2022 (12pm - 3pm)
Sep
25
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, Sept 25, 2022 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, Sept 25, 2022 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - Sept 25, 2022

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

View Event →
Mira M. White: Mira's Mixed Media Mash Up!
Sep
19
to Nov 7

Mira M. White: Mira's Mixed Media Mash Up!

Mira M. White: Mira's Mixed Media Mash Up!

September 19-November 7

Mondays 10am - 1pm

Spring into Summer

MIRA’S MIXED MEDIA MASH UP!

This vibrant class explores abstraction and representation with multiple layers and multiple media techniques. Acrylic, watercolor,  Oil, cold wax, pigment sticks and collage converse on a variety of surfaces, emphasizing unity of design, texture and color.  We  work with a combination of both dry & wet media, including soft pastels, watercolor, oil paint, pigment sticks, charcoal, graphite and collage.  Acrylic media can serve as a base underpainting.  All imagery applicable.  Appropriate for continuing painters, who work toward developing a strong personal vocabulary.  The class will meet weekly from 10 am-1 pm for discussion, live demos, an opportunity to work in class and presentation of work. It is my hope that participants can exchange ideas and form a lively exchange.  

This is an in-person workshop. Due to the pandemic, enrollment will be limited to 10 participants, wearing masks, and honoring social distancing. Mira has also requested that all participants be vaccinated in order to register.

Mira M. White - Mixed Media Sept 19-November 7

MATERIALS LIST:

DRY MEDIA:

Lyra Water based Graphite crayon (Blick online
Art Graf Water Based Graphite Tablets (Amazon)set of 6
Rembrandt black, white, grey soft pastel sticks,
Black, white & grey oil pigment sticks (R&F preferred)

Jar  of powdered graphite / or black charcoal

LIQUID MEDIA:

Watercolor and Acrylic paints

Soft Gel medium (pint size), and liquid Polymer Medium
White and Black Acrylic Gesso 1 quart each
Black Sumi Ink (Yasutomo preferred) pint
1 pint Citra Solv organic natural solvent
Liquitex Clear Gesso- 1 quart

PAPERS/ SURFACES TO WORK ON: Select your choice.

Rag Drawing paper- 2 large sheets (Lennox 100, Coventry rag)
1 Cradled wood panel and/or, gessoed cardboard
1 sheet Arches hot press or cold press 140lb.or 300 lb watercolor paper—22”x30” or 30”x40”
A support board for your work
2 sheets 140 lb Watercolor paper 22”x30”, cut up into 7”x10” pieces for short studies

ADDITIONAL SUPPLIES:

Variety of brushes and/or foam rollers
3 Cosmetic spray bottles (.99 @ Bed, Bath & Beyond) or on Amazon
Variety of purchased or personally designed stencils (optional)
Mark making tools: The following are your choice: Feathers,
Different Brushes
Color Shapers
Sponges
Rags/ also bring large plastic tarp for floor work
Scrapers of all kinds Wear crummy clothes

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Carl Heyward's Push/Practice Workshop - Sunday, June 12, 2022 (12pm - 3pm)
Jun
12
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, June 12, 2022 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, June 12, 2022 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - June 12, 2022

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

View Event →
Carl Heyward's Push/Practice Workshop - Sunday, April 10, 2022 (12pm - 3pm)
Apr
10
12:00 PM12:00

Carl Heyward's Push/Practice Workshop - Sunday, April 10, 2022 (12pm - 3pm)

Carl Heyward’s PUSH/PRACTICE WORKSHOP

Sunday, April 10, 2022 (12pm - 3pm)

If it gives pleasure or comfort, it is Art; if it instructs and enlightens, it is Art; if it confuses, is clever or clarifies, it is Art. The platform or delivery system, be it literary, culinary, educational, 2D, 3D, digital, electronic, FaceBook, childbirth, or of the plastic “arts” is the only thing that differentiates one from the other. Still, each, nonetheless, is to be respected and regarded as valuable vehicles of experience or existence.
— Carl Heyward (excerpt from Tapas K. Ray's The Antonym Webzine's article below)

THIS IS A MIXED MEDIA MASTER WORKSHOP

Pushing Practice While Identifying and Breaking Habitual Modes of Working: Paying attention to what’s actually happening with materials; how they interact and evolve; how ideas present themselves in various ways in conjunction with this process often supersedes  expectation and offers opportunities for broader, richer, more personal expression. These are a few of the goals presented in The Carl Heyward Mixed-Media Workshops, achieved through the suspension of self-judgement, ordering creativity and analysis to their appropriate times and places; discovering confidence in problem resolution; to take risks.

Explore the creative possibilities of “the materials at hand” which may include both traditional and non-traditional resources such as collage, painting, found materials, print and mark making; even discards, in the true spirit of Mixed-Media Arts. Heyward’s mentoring process moves participants through a series of alternative print making, collage, painting and mixed-media exercises. These practices help students to break out of creative blocks and self-imposed barriers.

Heyward will be joined by award winning Japanese fiber artist Akiko Suzuki. 


$20 MATERIALS FEE PAID DIRECTLY TO C. HEYWARD ON THE DAY OF THE WORKSHOP

PLEASE FEEL FREE TO BRING YOUR FAVORITE PAINT, BRUSHES, ETC.


Level: All levels
Location: Studio 55
Class size: Minimum 6 | Maximum 16
Age minimum: 18

Carl Heyward's push/PRACTICE! Workshop - April 10, 2022

Carl Heyward is NEA Fellow and grant recipient, former MFA instructor at SF Academy of Art University, arts writer and founder of Global Art Project, a mixed-media collaborative cooperative with a membership in 12 countries. He has exhibited at Room Art Gallery, Mill Valley, The Fourth Wall Gallery in Oakland, CA, artist-in-residence at The Schools of The Sacred Heart at The Flood Mansion, San Francisco, and continues to exhibit internationally: Kranz, Slovenia; Mazatlan, Mexico; Venice, Italy; and Ghent, Belgium, in 2017-2019. His work is in collections held by SF-MOMA, NY-MOMA, Yale University Art Library, the National Gallery of Australia, Wellsely Art Library and the Brooklyn Museum. He is associated with Jennifer Perlmutter Gallery, CA; 10dence Gallery, Holland, Galerie Sobo Bade, Senegal and Gallerie Renee Marie, CA, East Village Art View Gallery, NYC

 

Carl was The Antonym Webzine’s Artist of the Month (August 2021). Read this enlightening article as Carl articulates "what Art is" here:


Here is Carl in dialogue, with artist-educator Nicholas Wilton, for the Art2Life interview series.

View Event →